Rawls’s cast of movers takes to the screen, where they casually dance, sing, meander, and muse. The unconcealed presence of a ...

Evelyn Taocheng Wang, ‘Do Not Agree with Agnes Martin All the Time’, 2022–23, ‘Stranieri Ovunque – Foreigners Everywhere’ ...

Eschewing conventional retrospective models at Astrup Fearnley Museet, Oslo, the exhibition raises enduring questions of ...

The director of The Worst Person in the World returns with a film about estrangement, generational wounds and whether cinema ...

At neugerriemschneider, Berlin, the artist’s vivid computer generations suggest that technology won’t erase human labour but ...

From Abbas Akhavan’s time-bending installations to Lu Yang’s existential video series, here’s what not to miss ...

Conceived as an ‘anti-biennial’, the roving festival mediates on impermanence and the supernatural across the Thai capital ...

At Sadie Coles HQ’s new Savile Row gallery, the artist’s subjects gather in smoke-filled bars and boxing rings, their gazes ...

For the first time at Frieze Seoul, Focus will expand its scope to include not only galleries from across Asia but also ...

The director of Noor Riyadh on what to expect from this year’s edition, which features artists from across the world ...

What can we make of the legacies we did not choose, yet continue to live with? This question underlies ‘sent in spun found’, ...

The Bride and the Goodnight Cinderella shocks audience while exploring the relationship between performance art, voyeurism ...