By 1973, Tim Maia didn’t need to prove he could make hits. His previous self-titled album had already cracked the Brazilian ...

There is something profoundly moving about hearing lost music return to the light. “Quintessence”, the newly issued ...

With “ReSet”, guitarist David Chevallier once again confirms his status as one of the most original and quietly adventurous ...

In 1971, while electric jazz was reshaping the landscape in New York and London, a quietly daring chapter was unfolding in ...

RMammal Hands’ aesthetic is bass-free; that’s not to say the trio’s music lacks an effective rhythm section; their new ...

There’s a quiet yet striking authority to “Freedom of Art”, the second outing from Washington D.C. bassist and composer ...

There is a quote I remember stumbling upon in my very early teens that has stayed with me for decades since. It’s actually been over thirty years and incredibly – for me anyway – I seem to remember ...

Recorded back in 2021 yet only now emerging, Billy Marrows’ “Dancing on Bentwood Chairs” is an album that carries the kind of ...