F1: The Movi e marks the third racing feature that Hans Zimmer has scored — following 1990’s Days of Thunder and 2013’s Rush — but it was a thrill unlike any other composing for a film that had ...

Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...

A 24-hour Formula 1 race sounds legendary… but the real question is whether an F1 car would even survive long enough to see ...

After the engine noise made by F1’s first V6 hybrid power units came under fire, key members of the Audi team have hailed the ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

Racing Bulls completed its first on-track running with the VCARB03, giving us the first sounds from Ford's new Formula 1 ...

F1: The Movie gets the nod for Best Editing, Best Visual Effects, and Best Sound. But it's up against some stiff competition.

The first race in F1: The Movie, at the British Grand Prix at Silverstone, results in a spectacular double crash that illustrates just how disastrously things can go when you don’t work together.

When F1 sound editor Al Nelson and re-recording mixer Gary Rizzo joined director Joseph Kosinski's bold and action-packed F1, they had a few advantages working in their favor to help them tackle the ...