Jonathan Bailey made a NSFW joke about how he looked while wearing a significant amount of prosthetics for his spoiler-heavy transformation in Wicked: For Good. PEOPLE's Sexiest Man Alive said in a new interview that the prosthetics work was "the first thing I started thinking about" when he signed on to the movie.

Stephen Fry, Alan Carr, Paloma Faith, and Charlotte Church are just a few of the stars around host Claudia Winkleman's roundtable for the U.K.'s first celebrity edition of the reality favorite (on Peacock) — but you'll also fall for former rugby player Joe Marler. — P.G.

Elphaba Thropp’s parentage is a major lingering question throughout Wicked and Wicked: For Good — and fans will eventually get their answer. This post has spoilers for Wicked: For Good. In the first W

"Wicked: For Good" returns with a magical Cynthia Erivo and Ariana Grande. But is the much-anticipated PG-rated sequel suitable for all youngsters?

Fans of the original Broadway musical will recall that it was loosely adapted from Gregory Maguire’s 1995 novel Wicked: The Life and Times of the Wicked Witch. The novel, in turn, is a spiritual prequel to The Wizard of Oz, the 1939 film adaptation of L. Frank Baum’s 1900 novel The Wonderful Wizard of Oz. It’s adaptations all the way down!

Wicked: For Good” beat the preview screening totals of two big superhero hits this year: “Superman” and “The Fantastic Four: First Steps,” which ruled the summer box office.

"Wicked: For Good," opening in theaters Friday, is the latest film to draw its inspiration from a stage musical based on a book. Here are nine more.

The sequel brings fresh arrangements and two new songs to the beloved musical, with the title track claiming the top spot in our ranking of all 11 numbers.

Each witch gets a new number as part of an effort to flesh out the arc of the stage show’s second act. As the composer Stephen Schwartz was working on the 2003 stage musical “Wicked,” one of the stars, Kristin Chenoweth, repeatedly asked for another number for her character, Glinda, to sing in the second act.