NEW YORK – You gotta get a gimmick. Thankfully, director George C. Wolfe didn’t adhere to the ecdysiasts’ advice. “Gypsy,” which opened Dec. 19 at the newly restored Majestic Theatre, is the smartest ...
The revival, directed by George C. Wolfe, will play its final performance on Aug. 17. By Caitlin Huston Business Writer The revival of Gypsy, starring Audra McDonald, will play its final Broadway ...
Based on the memoirs of striptease artist Gypsy Rose Lee, the play begins in the 1920s in Seattle. A clamor of kids rehearse for Uncle Jocko’s (Jacob Ming-Trent) kid-focused vaudeville act. Baby June ...
She's the mother of all stage mothers: Rose, a single mom hellbent on turning her two young daughters into stars during the waning days of vaudeville. But in the musical "Gypsy," she gets top billing.
Gypsy has been called the best musical of all time, by critics and historians. Its central character, Mama Rose, is the ultimate stage mother and has been catnip for some of the finest musical theater ...
Three hours, with one intermission. At the Majestic Theatre, 245 W. 44th St. “Gypsy” is, by the estimation of many — including me — the greatest musical ever written. But you wouldn’t know it from the ...
Gypsy, the high-profile Broadway musical revival starring Audra McDonald, will play its final performance August 17, producers said Wednesday. The news comes after the show scored five Tony Awards ...
There aren’t enough dressing rooms on Broadway to contain all the expectations for the new Gypsy, George C. Wolfe’s revival starring the great Audra McDonald. Considered by theater buffs to be among ...
In the nineteen-thirties, Gypsy Rose Lee, perhaps the world’s most famous stripper, helped transform burlesque from a vulgar pastime to café-society entertainment, simply by acting refined. She made ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick Hold your hats and hallelujah, our leading musical tragedienne offers an ultra-dramatic Rose in George C. Wolfe’s Broadway revival. By ...
Performances in N.Y.C. Advertisement Supported by The show is the sixth musical to announce a closing date since last month’s Tony Awards, reflecting financial challenges facing producers. By Michael ...