Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...

F1: The Movi e marks the third racing feature that Hans Zimmer has scored — following 1990’s Days of Thunder and 2013’s Rush — but it was a thrill unlike any other composing for a film that had ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

After the engine noise made by F1’s first V6 hybrid power units came under fire, key members of the Audi team have hailed the ...

A 24-hour Formula 1 race sounds legendary… but the real question is whether an F1 car would even survive long enough to see ...

Racing Bulls completed its first on-track running with the VCARB03, giving us the first sounds from Ford's new Formula 1 ...

How long does it take for a lifelong F1 fan to get hooked on endurance racing? Just one trip to the Rolex 24 Hours at Daytona ...

When F1 sound editor Al Nelson and re-recording mixer Gary Rizzo joined director Joseph Kosinski's bold and action-packed F1, they had a few advantages working in their favor to help them tackle the ...