Bernini's method was to seize and freeze the revelatory moment; he positioned his statues against walls, so that a spectator would take in the work from a prescribed perspective. With the David, you ...
Who can look at Bernini's Ecstasy Of St Theresa (1644- 47) with an innocent eye? On a scalding Roman summer afternoon some years ago, a trio of sandalled nuns came into the dark church of Santa Maria ...
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