"Compared with [J. S. Bach’s] six sonatas for violin without accompaniment, these violoncello solos are light and unpretending. Nevertheless, they are interesting, because they are Bach’s. The first ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook With an ear for dance and a new five-string violin, Johnny Gandelsman set out to transform a towering classic. By Joshua Barone ...
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